Spotlight on ... Terry Southern 'The Magic Christian' (1959)

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'The important thing in writing is the capacity to astonish. Not shock -- shock is a worn-out word -- but astonish. The world has no grounds whatever for complacency. The Titanic couldn't sink, but it did. Where you find smugness, you find something worth blasting. I want to blast it.' -- Terry Southern


"I started reading The Magic Christian and I thought I was going to go insane... it was an incredible influence on me." — Hunter S. Thompson

"Terry Southern is the illegitimate son of Mack Sennett and Edna St. Vincent Millay." — Kurt Vonnegut

"Terry Southern is the most profoundly witty writer of our generation and in The Magic Christian he surpasses Flaubert's Bouvard et Pécuchet, a work similarly inspired by conventional wisdom's serene idiocy." — Gore Vidal


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Background

'Among the many faces that grace the cover of Sgt Pepper's Lonely Hearts Club Band, there is one hidden by sunglasses. This is the writer Terry Southern, posted alongside his literary hero Edgar Allan Poe, and standing in the shadows at one of the pivotal pop moments of the decade. Throughout the Fifties beat period and the Sixties underground, Terry Southern was the Zelig of the Zeitgeist, often to be seen alongside the prime movers for whom he was a hipster, tipster and catalyst.

'"Terry was still terminally hip when he died at 71," says his New York agent Jimmy Vines. "He was turning everyone on to Beavis and Butthead." Just before he died of cancer in 1995, Southern pulled off his oxygen mask, sat up in his hospital bed and asked his son Nile, "What's the delay?"

'The obituaries may have been shorter and fewer than those that have followed in the wake of Allen Ginsberg's demise, but the credits that Southern clocked up provide the bigger clue to the counter-culture of the time. He was a screenwriter on Easy Rider, Barbarella, Dr Strangelove. His name is along the spine of the inspired satirical novels Candy, The Magic Christian and Blue Movie. Gore Vidal described Terry Southern as "the wittiest writer of our generation". Candy, written with Mason Hoffenberg in 1958, paved the way for the parodic porn of Vidal's Myra Breckenridge and Philip Roth's onanist's handbook Portnoy's Complaint, a decade later.

'The Magic Christian chronicles the jokes and schemes of a billionaire who believes that there is nothing so disgraceful or degrading that someone won't do it for money. Guy Grand's schemes include creating "Stealth", the deodorant that "cuts away body odour like a knife". It made for a shambolic movie, but Southern's book is regarded as his masterpiece. Dennis Hopper described Guy Grand as "the 20th-century figure that has most inspired me". This became apparent long after he collaborated with Southern and Peter Fonda on Easy Rider. "Hopper and Fonda have always wanted to make that film entirely their own, even now," according to Nile Southern. "Fonda called my father a year before he died, offering him $30,000 to take his name off the credits."

'The actor Peter Sellers bought several hundred copies of The Magic Christian to give as Christmas presents, and demanded to have Terry Southern as his scriptwriter on Dr Strangelove. During the production, Stanley Kubrick and Southern found themselves watching a porn film that had fallen into their hands. It provided the inspiration for Blue Movie, as Kubrick pondered over the idea of a porn film born of the hand and eye of an auteur, using beautiful people and state-of-the-art equipment.

'In the last 20 years of his life, apart from a stint as staff writer on Saturday Night Live in the early Eighties, Southern returned full-time to journalism. "Many have said that in his last decades his talent caved into drink," says Darius James. "I knew otherwise. His archives show an outstanding output of work. He was the John Coltrane of American literature."' -- Michael Collins


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Media


'The Magic Christian', the film (trailer)


'Candy', the film (trailer)


'Dr. Strangelove' (trailer)


'TO THA HILT: The DELUXE biography of Terry SOUTHERN'


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Quotes

On American publishers: 'I think most American publishers' tastes are on the level of the comic-strip. They've become just ordinary businessmen. They don't have time to read; they're too busy hustling. Consequently they never develop any personal tastes. The way they work, they examine a manuscript for a while and then they may say "Oh yes, this is like Look Homeward Angel, and they they look up the sales record of Look Homeward Angel, and if that's all right they'll take it. But if the manuscript happens to be just a bit original, you can save yourself the postage...unless it's five or six hundred pages, of course, then they're rather apt to take it, anything; they got that idea from big cars -- you know, "What's good for General Motors ... By Cracky!" They're the first real automatons trained quite simply to spot imitations of previous imitations.'

On pornography: 'I'm for for public screenings of outright pornographic films. . That would be the only way to improve their quality. After the novelty wore off, people wouldn't support them unless they were really good--and then you wouldn't call them pornographic. It's the clandestine nature of the thing that causes those films to be so lousy and yet so expensive. It's analogous to prostitution. In London, for example, you can get laid for thirty shillings--what's that, about four bucks? Well, I mean you wonder how is it possible to see a strange, interesting looking chick, know you can make it with her for thirty shillings and then just walk by? Christ, you'd think a guy with money would simply lay one chick after another right straight through the day. Right? Well, not a bit of it, old chap! The reason is they're used to it by now. And I'm sure that soon happens with anything that isn't forced underground ... dirty movies, dope, anything. You'll notice, by the way, it takes more than a scattering of "fuck, piss, shits" these days to make a best-selling novel. That's old hat now, and almost no one will lay out for old hat.

On Hollywood movies: 'The studios would rather employ a screen writer with eight disasters to his credit than a William Faulkner with none. In fact, when Faulkner -- who had the greatest ear for regional dialogue of his time -- was finally used in Hollywood, his work was invariably rewritten by hacks, simply because producers and directors were suspicious of anyone who had not written for films before -- as if there was something special about it, or about the crap they were turning out ... In the majority of pictures with budgets of five hundred thou or more, studio participation is involved, and wherever there is studio money, there is the dinosaur mentality and the apelike interference which are unfailingly part of the package. If a writer is sensitive about his work being treated like Moe, Zack and Larry working over the Sistine Chapel with a crowbar, then he would do well to avoid screenwriting altogether ... The wise thing, of course, is to become a filmmaker.'


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Further

Terry Southern Official Website
Terry Southern interviews Stanley Kubrick
TS interviewed about his work in film
'TS's Quality Lit' @ The Valve
TS reports from the 1968 Democratic Convention
TS page @ The New York Times
Terry Southern Month @ The Paris Review
'Terry Southern and Voltaire: The Lost Art of Blasting Smugness'
'The Original Hipster' @ The Austin Chronicle
'The High Life and High Times of Terry Southern' @ Time Magazine
Buy books by and about Terry Southern


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Book

Terry Southern The Magic Christian
Grove Press

'One of the funniest, cruelest, and most savagely revealing books about American life ever written, The Magic Christian has been called Terry Southern's masterpiece. Guy Grand is an eccentric billionaire — the last of the big spenders — determined to create disorder in the material world and willing to spare no expense to do it. Leading a life full of practical jokes and madcap schemes, his ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won't do it for money. In Guy Grand's world, everyone has a price, and he is all too willing to pay it. A satire of America's obsession with bigness, toughness, money, TV, guns, and sex, The Magic Christian is a hilarious and wickedly original novel from a true comic genius.' -- Grove Press


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Excerpt

Guy Grand had upset the equilibrium of a rather posh Madison Avenue advertising agency, Jonathan Reynolds, Ltd., by secretly buying it, en passant so to speak, and putting in as president a pygmy.

At that time it was rare for a person of this skin-pigmentation or stature—much the less both—to hold down a top-power post in one of these swank agencies, and these two handicaps alone would have been difficult enough to overcome though perhaps could have been overcome in due time had the chap shown a reasonable amount of savoir-faire and general ability, or the promise of developing it. In this case however, Grand had apparently paid the man to behave in an eccentric manner—to scurry about the offices like a squirrel and to chatter raucously in his native tongue. It was more than a nuisance.

An account-executive, for example, might be entertaining an extremely important client in his own office, a little tête-à-tête of the very fist seriousness—perhaps with an emissary of one of the soapflake-kings—when the door would burst open and in would flu the president, scrambling across the room and under the desk, shrieking pure gibberish, and then out he’s go again, scuttling crabwise over the carpet, teeth and eyes blazing. “What in God’s name was that?” the client would ask, looking slowly about, his face pocked with a terrible frown.

“Why, that… that…” but the a.e. could not bring himself to tell, not after the first few times anyway. Evidently it was a matter of pride.

Later the a.e. might run into one of his friends from another agency, and the friend would greet him:

“Say, hear you’ve got a new number-one over at J.R., Tommy—what’s the chap like?”

“Well, as a matter of face, Bert…”

“You don’t mean the old boy’s got you on the mat already, Tommy? Ha-ha. That what you’re trying to say?”

“No, Bert, it’s… well, I don’t know, Bert, I just don’t know.”

It was a matter of pride, of course. As against it, salaries had been given a fairly still boost, and titles. If these dapper exec’s were to go to another agency now, it would be to a considerable loss of dollars and cents. Most of the old-timers—and the newer ones too, actually—had what it took to stick it out there at J.R….

“Anyone have any news of Bill Thorndike, by the way?” he added matter of factly, as he sat down again. Ginger Horton banged her cup irately.

“That…that damn nut!” she said, her cheeks puffing out like a great red frog’s. “No, and I couldn’t care less!”

“Who?” asked Esther.

“Dr. William Thorndike,” said Agnes, “that extraordinary dentist whom Ginger went to. He and Guy were friends at school together—isn’t that right, Guy?”

“Yes, quite good friends too,” said Guy. “Poor fellow, had a nervous breakdown or something from what Ginger says. I haven’t seen him in the longest. How was he when you last saw him, Ginger?”

Grand had made this inquiry any number of times, and then had always glossed over Ginger’s account of the incident, as though he could not fully take it in.

“The last time!?!” she cried, “why I only saw him once, of course—on your recommendation—and once too often it was too! Good Lord, don’t tell me you’ve forgotten that again? Why he was absolutely insane! He said to me: ‘These molars are soft, Mrs. Horton!’ or some such ridiculous thing. ‘We’d better get you onto a a soft-food regime right away!’ he said, and then without another word about it, while I was still leaning back with my mouth open, he dropped a raw egg into my mouth and rushed out of the room, waving his arms and yelling at the top of his voice! Raving mad!”

“Hmm—not like Bill Thorndike,” said Grand. “First rate medical-man, he used to be. You never went back to him then?”

“I certainly did not! I went straight to the nearest police-station, that’s where I went! And reported him!”

Grand frowned a look of mild disapproval.

“I’m afraid that won’t help Bill’s standing with the Association any.”

“Well, I should hope not!” said Ginger Horton as strongly as she could.

“How Uncle Edward used to love raw eggs!” said Esther. “Do you remember, Agnes?”

“It’s hardly the same thing, Esther,” said Agnes.

“Well, he always had them with a sort of sauce,” Esther recalled. “Worcestershire sauce, I suppose it was.”

“It could have been some new form of deficiency treatment, of course, Ginger,” Agnes said… “I mean if your molars were soft…” But in the face of Ginger Horton’s mounting exasperation, she broke off and turned to Guy, “…but what’s your feeling on it, Guy?”

“Bill always was up-to-the-minute,” Guy agreed. “Always on to the latest. Very progressive in school affairs, that sort of thing—oh nothing disreputable, of course, but, I mean to say as far as being on to the newest thing in…in dentistry-techniques, well, I’m certainly confident that Bill—“

“He just plopped that raw egg right into my mouth!” said Ginger shrilly. “Why I didn’t even know what it was. And that isn’t all—the instruments, and everything else were crazy. There was some kind of wooden paddle…”

“Spatula?” prompted Guy helpfully.

“No, not a spatula! Good Heavens! A big wooden oar, about four-feet long, actually leaning up against a chair.”

“Surely he doesn’t use that?” said Agnes.

“But what on earth was it doing there is what I want to know?” demanded Ginger.

“Maybe Bill’s taken up boating,” Guy offered, but then coughed to show the lameness of it, “…wasn’t too keen at school as I remember. Tennis, that was Bill’s game—damn good he was too—on the varsity his last two years.”

“I simply cannot make you understand what an absolute madman he was,” said Ginger Horton. “There was something else on the chair, too—a pair of ice-tongs it looked like!”

“Clamp, I suppose,” murmured Grand.

“‘Better safe than sorry, eh Mrs. Horton?’ he said to me like a perfect maniac, and then he said: ‘Now I don’t want you to swallow this!’ and he dropped a raw egg in my mouth and rushed around the room, waving a lot of those weird instruments over his head, and then out the door, yelling at the top of his lungs!”

“May have been called out on emergency, you see,” said Guy, “happens all too often in that business from what I’ve seen of it.”

“What was he saying when he left, Ginger?” Agnes asked.

“Saying? He wasn’t saying anything. He was simply yelling. Yaahh! Yaahh! Yaahh!’ it sounded like.”

“How extraordinary,” said Agnes.

“Not like Bill,” said Guy, shaking his head, “must have been called out on an emergency, only thing I can make of it.”

“But surely the receptionist could have explained it all, my dear,” said Agnes.

“There was no receptionist I tell you!” said Ginger Horton irately. “There was no one but him—and a lot of fantastic instruments. And the chair was odd too! I’m lucky to have gotten out of there alive!”

“Did she swallow the egg?” asked Esther.

“Esther, for Heaven’s sake!”

“What was that?” asked Grand, who seemed not to have heard.

“Esther wanted to know if Ginger had swallowed the egg,” Agnes said.

“Certainly not!” said Ginger, “I spat it right out! Not at first, of course; I was in a state of complete shock. ‘I don’t want you to swallow this! he said when he dropped it in, the maniac, so I just sat there in a state of pure shock while he raced around the room, screaming like a madman!”

“Maybe it wasn’t an egg,” suggested Esther.

“What on earth do you mean?” demanded Ginger, quite beside herself. “It certainly was an egg—a raw egg! I tasted it and saw it, and some of the yellow got on my frock!”

“And then you filed a complaint with the authorities?” asked Agnes.

“Good Heavens, Agnes, I went straight to the police. Well, he could not be found! Disappeared without a trace. Raving mad!”

“Bill Thorndike’s no fool,” said Grand loyally, “I’d stake my word on that.”

“But why did he disappear like that, Guy?” asked Agnes.

“May have moved his offices to another part of the city, you see,” Guy explained, “or out of the city altogether. I know Bill was awfully keen for the West Coast, as a matter of fact—couldn’t get enough of California! Went out there every chance he could.”

“No,” said Ginger Horton with considerable authority, “he is not anywhere in this country. There is absolutely no trace of him.”

“Don’t tell me Bill’s chucked the whole thing,” said Grand reflectively, “given it all up and gone off to Bermuda or somewhere.” He gave a soft tolerant chuckle. “Wouldn’t surprise me too much though at that. I know Bill was fond of fishing too, come to think of it. Yes, fishing and tennis—that was Bill Thorndike all right. As a matter of fact,” getting out of his big chair again, “I’ll have to be pushing along myself, I’m afraid.”

“Guy, I simply will not hear of it,” cried cross Agnes, snatching her glasses off her nose and fixing the man with a terrible frown. “Surely you shall stay for dinner!”

“Guy, Guy, Guy,” keened Esther, wagging her dear gray head, “always on the go.”

“Yes, only wish I could stay,” agreed Guy sadly. “Best push on though. Back to harness, back to grind.”

“But you just cannot go off like that, Guy,” said Agnes, truly impatient with the boy now, “surely you won’t!”

“Can and must, my dears,” he explained, kissing them both. “Flux, motion, growth, change—these are your great life-principles. Best to keep pace while we can.”

He bent forward and took fat Ginger’s hand in his own. “Yes, I’ll be moving on, Ginger,” he said with a warm smile for her, expansive now, perhaps in anticipation, “pushing down to Canaveral and out Los Alamos way!”

“Good Heavens,” said Agnes, “in this dreadful heat? How silly!”

“Always on the go,” purred Esther.

“It’s wise to keep abreast,” said Guy seriously, “I’ll just nip down to Canaveral and see what’s shaking on the space-scene, so to speak.”

“Guy,” said Ginger, squeezing his hand and sparkling up again on one monstrous surge of personality, “it has been fun!”

Good-byes were her forte.

Guy gave a courtly nod, before turning to go, in deference it seemed to her great beauty.

“As ever, my dear,” he whispered, and with a huskiness that made all the ladies tingle, “it has been…inspiring.”


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p.s. Hey. I made it back to Paris, and I'm lagged but not murderously so far. The second night is always the telltale night for me on the lag front, but, for today, I just feel strange awake (as opposed to pure awake, I guess). Two alerts for those of you in the vicinity of New York: (1) Lonely Christopher, whose amazing book 'The Mechanics of Homosexual Desire' is the new release on my Little House on the Bowery imprint, begins his release-related series of readings and promo events tonight at 8 pm at the Happy Endings Lounge, and I urge you to attend if you can. If you can't, there's a second opportunity on January 19th, 7 pm, at Bluestockings Bookstore, where the writer Joshua Furst will also be reading from the other new LHotB title, Matthew Stokoe's 'Cows'. (2) Chris Cochrane, d.l. and the man behind the music of 'Them', is performing with his band The Natalie Merchant tonight, 9:30 pm, at the Rock Shop, 249 4th Avenue, Brooklyn, and if you haven't (or even have) seen Chris play, he's incredible, and attendance is heavily encouraged. Last thing: There is a slight possibility that Gisele Vienne and I might be going to Disneyland Paris tomorrow on a research mission to study the structure and ambience of the rides there re: our upcoming maze project. I'd say the chances we'll actually go are slim-ish, but, if so, there'll be a limited, non-interactive p.s. tomorrow. ** Pilgarlic, Yeah, I saw some of the Atlanta fuckedupness on TV as well as slews of Atlanta-bound people stranded at JFK yesterday. I actually only missed getting stranded there myself by a few hours. Glad you made it home finally, and big hopes for a bright southern sun starting today. ** David Ehrenstein, Hi, David. Very nice, rich guns-related FaBlog, sir. Everyone, Mr. E has a FaBlog entry, 'Doughy Pantload qu‘est ce que sais?', on the Tuscon situation and beyond that you really ought to see. I hadn't heard about Houellbecq/ BHL book, which is strange. The former is usually well worth a look in my book, so I'll hunt that thing down. ** Dusty rose, Hey, Dusty. Yeah, don't jinx yourself. I really think that stressing out about a project is its only real enemy. You just need to stay fascinated, you know? The mix-tapes re: your characters sounds really interesting. I'm all for intricate prep using other mediums, and I do that too. Never made character mix-tapes, though. Yeah, that sounds really intriguing. If you hit any snags along the way, and if talking stuff out here would help in any way, please do. Know I'm super interested to hear about the progress and volley thoughts if you'd like. ** MANCY, Hey. So, school is a plus so far? What are your classes, if you want to say? Exactly re: the loading up on US Mexican food for my Paris hibernation. Gotta stave off urges to hit Hard Rock Cafe any way I can. Thanks about the post. Vindicatrix is pretty interesting, I think. See what you think. ** Steevee, You're a 50 Foot Hose fan, cool. I love 60s psych, SF-based especially. Oh, 'Looking On' is a joy. Back in the day, it was much disliked by Move fans, but its weird heaviness meets 60s jangle sounds even better now. I highly recommend The Move's "Message from the Country' album, if you don't know it. I think it's maybe their greatest. I think Palin torpedoed her ability to get elected ages ago, but a nail in the coffin would be nice. I've heard a track or two of The Soft Moon, and I quite liked them, and the Pitchfork review got me more interested yet. I'll go find some more. Thanks! ** Matt, Hey. I forwarded your letter/CV to Gisele a few days ago, and I'll be talking to her today or tomorrow, and I'll follow up with her then. Sorry it took me so long. More soon, and take care. ** Alan, Hey. ** Scunnard, Oh, I liked the mishap. If I hadn't been in such a rush, I would have linked to the Louvre blog, which, in my rush, I forgot was connected to your site. Quite a mindfucking rush, that. Anyway, hey. I'm okay but strange-brained this morning. You? ** ASH, Hey! Gee, thanks a lot, man. What's going on with you? I checked your blog, but it's in suspended animation. ** Pascal, Well, you sound good, I'm happy to hear. Fit of mind and body. Excellent. 'Feel the Pain', no, ha ha. Wow, no, that came from somewhere else. I had a couple of alternate possible titles, but not that one. ** Mark, You're here in gloomy but strangely not very cold Paris. Sure, let's meet up, obviously. Just give me a day or two to stop being spaced out and disoriented. Should we plan by email? Welcome! Henry Michaux's widow? At Palais de Tokyo?! That is strange all around, but very cool. ** Casey McKinney, Hey, Casey! El Myr, that's wild. Are the burritos themselves an homage? Obviously, I hope you make it to Europe, Paris especially. With Rowan? Rowan walking in that video is very sweet. He looks like you, no? Everyone, if you want to see a cute little kid with an awesome father and kind of modified mohawk do an early walk and eat some fancy cheese, you might be able to if you're a Facebook person and if you click this. Cheers and love back to you, Robin, and the newly mobile one. ** Pisycaca, Hi, Montse. The flight was tolerable, thanks. Oh, you're set for Paris! Fantastic news! I'm super excited too! Yes! ** _Black_Acrylic, Hi, Ben. Interesting turns on the YnY front. More pro sounds good, and certainly deserving. Sure, you can send in an expanded BO Day. I'll hold off on setting it up until you send me the new version. Thanks a lot! Sculpture? Hm, interesting. Curious to hear more when the time comes. ** Statictick, Hi, N. The emails got here. I haven't opened them yet, but I will today, and if something seems to be missing, I'll let you know. Thanks a million, of course. Sure, I'll happily present 'Pyre Boy'. You mean as a post or as workshop entry or ... ? Either way is just fine and dandy. Yeah, I'd be happy and proud to. ** Steven Trull, Thank you, sir. ** Creative Massacre, Cool, I'll go watch that DragonGate thing when I get done here, and I'll either forward to the 5 minute mark or be patient. Wow, that drive on black ice sounds scary/ fun. Mostly scary. Glad you're liking Seitan. How you season or spice it makes a big difference, but the cool thing, like I said, is how flexible it is. You want try something great, try Seitan stroganoff, ie. using the Seitan in place of the beef. Holy shit, when it's made right, it's incredible. ** Edward Cole, Yeah, it's not as incredible, like I said, but it's worth a read, especially if you like Warner's writing voice, which I really do. ** Inthemostpeculiarway, Hey. I can only speak for the Donut Plant coconut donut, if you can get one somehow. That controversy about the Britney single just seems silly. That is kind of strange that they never had Amelia Earhart show up on 'Gilligan's Island'. Maybe it was too ... serious? Someone needs to do a mash-up of 'GI' and 'Lost'. And maybe add the island in 'King Kong' too. On 'South Park' or something. You should totally go on Jeopardy. D.l. Bernard Welt went on Jeopardy. I think it was Jeopardy. And he won. Comforters are kind of a drag. I hate how they have no traction and always slide off of you in the night. Your report wasn't awful at all. I couldn't tell you were tired at all. My day, okay. I checked out of the hotel without incident, and they gave me a packet of what looked M&Ms as a goodbye gift, but they were mints that looked like M&Ms, and they were strangely good. Cab to the airport, uneventful, pretty fast. The airport was crazy because there were tons of people whose flights to cities like Atlanta were cancelled, and they were stressed out and clogging up the place. And then there were people everywhere stressing out because it was about to start snowing, and they were panicked because they thought it would start before their flights were scheduled to leave, thereby canceling them. That made me worry, and I stared angrily at the darkening, clouding sky until it was time to leave, but we managed to take off before the onslaught began, phew. I usually buy and read 'Vanity Fair' on plane flights for some reason, and I'd bought the new issue, and I started to read it, and it has Justin Bieber on the cover, and the woman sitting next to me was kind of obsessed with JB, I guess, because when I pulled the issue out, she squeaked and started talking excitedly to me about JB and how cute he is, which was only kind of odd because she was in her late 40s, and, long story short, I just gave her the magazine to make her stop talking to me. I watched movies instead: 'The American', which had a nice quality about it. I guess I liked it okay. 'The Last Airbender', which, you know, isn't good or anything, but after all the extremely negative stuff I'd read about it, I didn't think it was all that shockingly bad. It just seemed like a so-so blockbuster. It held my attention, I guess. And I watched 'Wall-E' again, and I decided it's one of the very best Pixar movies. I was sleepy but I couldn't sleep. We arrived in Paris a half hour early at 5:30 am. When I walked out of customs, there were all these news crews with cameras and bright lights hammering the exit, which was weird at 5:30 in the morning. I guess somebody really famous was arriving at the same time. I got home, totally wrecked, wanted to sleep, but it was fucking cleaning/ exile day, so I got kicked out of the room for an hour and sort staggered around until they let me back in. Then I napped. Then I woke up, but I was a zombie, and I hardly remember what happened after that until I couldn't stay awake any longer and crashed at 8:30 pm. That was my day. How is/was yours? ** Frank Jaffe, Hi, Frank! Oh, I'm glad my poem didn't let you down. Interesting selection there. The reading wasn't videoed, was it? I'd love to hear you read my poems, of course. Yeah, I saw that CNN thing about Florida being the only snow-free state. Snow in Florida would be a sign of apocalypse probably. It's weirdly nice here, like 60 degrees or something. ** Bill, Hey. I'm ... okay, so far. Half-conscious, I guess. Yeah, I picked that Schmickler vid because it was so different than what I know of his work too. Oh, man, I'm very sorry to hear about your colleague's passing. Condolences, my friend. ** Michael_karo, No, I can't afford the trip to the West Coast. It sucks. But the events will be great, I'm sure. Superstars galore. A year without new MK music, wow, that's intense, but as long as you heavily indulge your visuals, I'll survive. ** Killer Luka, Wow! I mean about you being in communication with Mr. Pride. Yeah, I figured he was a smart, interesting fella. He has the smartest, most irony-capable pair of eyes on Boycrush. Well, very cool and some envy and all that. Get him to be a d.l. somehow. God knows if he googles himself, this blog will come up frequently. Sure, I'd love to hear the scoop, obviously. Let's talk, Skype, whatever for sure. ** Misanthrope, I'm back. I'm okay, I think. Dude, get that carbon monoxide detector today! No lolly-gagging. Promise me. ** Laurabeth, Hey. That does sound complicated, The recent months stuff, I mean. Live and learn? I guess, right? What else can you do? So, alcohol is the culprit? Alcohol can be a bitch. You know me, I stay mostly away from it. Well, you sound like you sorted it out, pal, and I doubt the consequences were super serious or detrimental. I got your email, yeah. Thank you a lot. Sorry I didn't get to see you in NYC, but prioritizing school is probably a really good idea, you know? Next time for us. ** Alexp336, I'm sure I've leered in my life, but I don't think I've ever slipped on a pair of leather pants. My alergy to non-organic clothes does have its plusses. Or one, i.e. no leather pants. Sorry to hear about your flu and the boyfriend chafing. Are you upswinging at least? I miss Nyquil. The French don't do or sell Nyquil. Something ingredient in it isn't kosher here. My post-return plans? Work on the new maze/theater piece mostly. See some art and stuff. Nothing too intense for a while, I hope. Feel better, man. ** Okay, we're back to normal or whatever around here. Post: Terry Southern, very interesting writer and figure. He's your focus for today. Hope he abides or that you do. See you in the morning.